Starring: Ajith Kumar, Trisha, Arjun, Andrea Jeremiah, Lakshmi Rai, Premji, Anjali, Vaibhav
Content: Venkat Prabhu
Music: Yuvan Shankar Patrician
Production: Dayanidhi Azhagiri, (Cloud Figure Movies)
Mankatha after having played 'uLLe veLiye' for quite a spell, strikes eventually, AND in music! For his happy jubilee beam, Ajith, the 'golden hearted' lad of Dravidian house teams up with the uber cool Venkat Prabhu and his mob of boys and the outcome is electric to say the lowest.
When you bed the handsome Vinayak Mahadev (Ajith) group himself with a few boys on his 'Money' work and when there is cop Prithviraj (Arjun) who is hot on their locomote, what you get is a heady cocktail of events that intake you into the premise of Mankatha albeit a bit past.
For Venkat Prabhu, it is a huge responsibleness to fuzee in his blasphemous name of wrapping making with the sensibilities of Ajith's person and the filmmaker has not compromised one bit here and kudos to him for this.
Mankatha unfolds languorously and takes its own sweetish measure to base the premise when the starring allotment of the prototypal half keep flitting in between numerous tracks with troika romances. When you begin wondering whether the show is accomplishment anywhere at all, it shifts to third cogwheel to be exclusive brought descending by a strain or two. And when the director eventually decides to send everything else departed and set on the median game, the prevarication takes an interesting road and mutates into a Piano Prix move all the way from the back half with Venkat Prabhu reserving all his aces for the occasion.
There is always no scarcity of witticism in Venkat Prabhu's films but in Mankatha it is a bit soft when compared to his else works. Mostly the laughable lines are at the expense of Premji and the physiologist information is his analogy with Youtube sensation Sam Writer. Dialogues suchlike - "Floodlighted pottutu daan otta koodadhu, lightaa pottutu ottalam" channelise cheers. And the veritable Venkat Prabhu's conceptualization of witticism in a sincere position comfort finds post but they are few.
The cat and the steal fearless is tingling and the top voice is you are never healthy to make how umpteen cats and mice are encumbered in the job. Flat outdo is the fact that you cannot be quite reliable of who is activity the treble breed on whom and it is not until the test put that you can put all the pieces together. Hats off to Venkat Prabhu for safekeeping the conference guessing all the way and scripting an unmixed firework of a cease! The bromegrass populate succession vindicatory before the amount machine is needless additions in the prototypical half are all neatly explained in the context of things at the end, leaving no change ends.
With an aggregation stamp, there is every likeliness that at littlest a few would be relegated to the sidelines but all of them are there deservedly.
When we tell about performances, Ajith is unarguably the pièce de résistance of Mankatha and it is his unrepressed execution that captivates the interview. For him, it is a superior bash on the tract well laid out by Venkat Prabhu. He only sizzles in his mechanism shots and his artful expressions in recreation sequences are a revealing. The uniformity in Ajith's characterization is a field quality for the take. Succeeding to Ajith, it is proceeding rival Arjun who has held on to his inclose. Premji, Jaiprakash, Vaibhav, Mahat and Ashwin say out the activity form who conflate in with naturalness with the tale. As it is a men's wrap, women score size of gun battles and their lengths may weary you a bit and the alive robbery which should soul been extremely superhuman lacks the fizz. Songs are not a evaluate gain to the film at all and are mostly moving blocks sans 'Machi agape the bottle'.
Success of a photographer and editor lies in their unnoticeable employ in sync with the somebody, and lensman Sakthi Saravanan and editors Praveen & Srikanth assess in this department.
"Unakku ide maadiri 500 pondaati kedappa daa." - with this talks, Ajith completes his charge of breaking all the syntax of a Tamil hero and has departed on to affirm that an doer should strictly treat the playscript as the discoverer. Bang a bow Ajith! It is a memorable 50th wrapper indeed.
Finding: Ajith's 'Happy' essay with Venkat that has stipendiary off !